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Living in Bilston, working across the



Studio holder at Eagle Works

Selected Projects, Events & Exhibitions


Gathering Press x Ikon Slow Boat, Wolverhampton

Valuable Conversations, group exhibition, Wolverhampton Art Gallery



Positively Disruptive, workshops, Being Human Festival of Humanities 

Gathering Press x RAW, British Art Show 9 Legacy Project, Wolverhampton Art Gallery

Barber Print Club, workshop series, The Barber Institute of Fine Arts

Twenty:Twenty Collection, group exhibition, New Art Gallery Walsall

On Paper, group exhibition, Paper Gallery, Manchester



SpeakEasy, print window exhibition, Airspace Gallery, Stoke-on-Trent

Simultaneity of stories-so-far, exhibition co-curator, Grand Union, Birmingham

Seasonal Cards, Minerva Apothecary Garden, Birmingham



Gathering Press, (ongoing) mobile screen-printing press, Black Country

Barber Home, online commission, Barber Institute of Fine Arts, Birmingham



The Twin: Coventry Biennial, group exhibition, The Row & Bell Green Library, Coventry

FLIMSIES (small acts of care), group exhibition, Art Licks Festival, London

I am because we are, collaborative project with The Haven, Wolverhampton



Archiving the Feminist Experience, group exhibition, Feminist Art Library, London

GU Women, group exhibition, Modern Clay, Birmingham

Selected Conference Papers & Publications


Studio as a Space of Exception, session convenor, 'On Not Knowing: How Artists Teach', conference, Glasgow School of Art & Uni Arts Helsinki (upcoming June).


Maker-centricity and 'edge-places of creativity': CARE-full making in a CARE-less world, in 'European Journal of Cultural Studies, Special Issue: Craft Economies and Inequalities.' 25(6) published 7 Dec

Printmaking Communities at the Edge of Chaos, co-authored research paper with Dr Simon Harris, IMPACT 12 Printmaking Conference, Bristol


Printing Press as Boundary Object, research paper, 'Places, Spaces and the Printing Press Conference', CPHC Birmingham and National and University Library of Ljubljana, Slovenia


Print as a Collective Space for Learning & Social Practice, research paper, 'Print and Pedagogy,' CASS Research Seminar, London Metropolitan University

Reading Otherwise: Claiming Collective Spaces for Reading, research paper,



'Reading Otherwise',research paper, Association for Art History Annual Conference, Brighton


Recommended Reading: GU Women, Art Licks Magazine

Being Maker-Centric: Making as Method for Self-organising, in 'The Organisation of Craft Work: Identities, Meaning & Materiality' (Routledge: UK) co-authored book chapter 


Other Activities

Lecturer in Fine Art, University of Wolverhampton (2017 - present)

Programme Assistant, Grand Union Gallery (2014 - 2022)

Center for Print History and Cultures, Member (2020 - present)

National Association for Fine Art Education, Steering Committee (2022 - present)


Ikon Youth Programme, The Barber Institute, Grand Union Gallery, The Feast, Gatis Community Center, Birmingham City University, National Saturday Art and Design Club, Wolverhampton Social Prescribing.

Bursary & Awards

CADRE Seed Funding, University of Wolverhampton (2022)

Classroom Testbed Bursary, Classroom Gallery (2021)

Creative Black Country Seed Funding (2020)

a-n Travel Bursary (2017)

Vice-Chancellor Strategic Research Award (2017)


MA Art and Education Practices, Birmingham City University (2017)

PGCE Post-Compulsory Education, University of Wolverhampton (2015)

BA (Hons) Fine Art, University of Wolverhampton (2013)

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